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× |
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Sam Shepard. The Tooth of Crime. The Performance Group / The Performing Garage, [New York, March 1973] |
$50.00 |
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$50.00 |
|
× |
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Sarenco. (Isaia Mabellini known as). "Safari" 1990. Domus Jani, Istituto Internazionale per l'Arte Totale, Illasi, 2 marzo - 4 giugno 1991 |
$10.00 |
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$10.00 |
|
× |
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Leandro Katz. Two Projects / A Decade: The Catherwood Project & Project for the Day You'll Love Me. El Museo del Barrio, New York, January 25-May 5, 1996 |
$75.00 |
|
$75.00 |
|
× |
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Fernard Léger. Dessins. Galerie Claude Bernard, Paris, 15 décembre 1970 |
$20.00 |
|
$20.00 |
|
× |
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(Charles Ludlam/ The Mystery of Irma Vep). David Kaufman. A Charmer Returns to the Scene of the Seduction. The New York Times, September 27, 1998. |
$5.00 |
|
$5.00 |
|
× |
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(Charles Ludlam). David Kaufman. The Man Born to Play The Heroine Camille. The New York Times, November 3, 2002. |
$5.00 |
|
$5.00 |
|
× |
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Robert Wilson and David Byrne. the KNEE PLAYS. The American Section from the CIVIL warS: a tree is best measured when it is down; an opera by Robert Wilson. Alice Tully Hall, New York, December 2, 3, 1986. (Stagebill. Volume 14 / #3, November 1986) |
$15.00 |
|
$15.00 |
|
× |
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(Klaus Staeck). Terror art: Staeck. Atelier NW8, Beindersheim bei Frankenthal, 2. - 25. Mai 1970 |
$350.00 |
|
$350.00 |
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