Conceptual art
Showing 257–272 of 973 results
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(Joseph Kosuth). Susan Hapgood. Language and Its (Dis)Contents. Contemporanea; international art magazine. Volume 11/#7, October 1989. Clipping
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(Joseph Kosuth). The Board of Trustees and the Director of The Brooklyn Museum cordially invite you to a reception for member of the Contribution Circle to preview the Grand Lobby exhibition, Joseph Kosuth, September 26, 1990
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(Joseph Kosuth). The Brooklyn Museum Collection: The Play Of The Unmentionable. The Brooklyn Museum, September 27 – December 3, 1990
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(Joseph Kosuth). The Play of the Unmentionable. An Installation by Joseph Kosuth at the Brooklyn Museum. Dia Art Foundation, New York, June 20, [1992]
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(Klaus Rinke). Rinke – Hand – Zeichner. Kunstmuseum Dusseldorf, 22., 23. 1. – 7. 3. 1982
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(Lawrence Weiner Richard Long). Lawrence Weiner, Richard Long. Gallery Senda, Hiroshima, 07. 1-31. 1989
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(Lawrence Weiner). 3 (i.e. Three) works of Lawrence Weiner. Yvon Lambert, Paris, from September 12, 1974
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(Lawrence Weiner). A work of Lawrence Weiner presented in the context of an installation and a book. Rolf Preisig, Basel, 7.4 – 6.5.78
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(Lawrence Weiner). Above, beyond, below. Lawrence Weiner: sculpture. Richard Welsby: installation: Marionette. Pier Arts Centre, Stromness, 12 April – 3 May 1986
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(Lawrence Weiner). Böse ist besser. Radio Bis, Kunstfunk Berlin, [1982]
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(Lawrence Weiner). Ein Arbeit von Lawrence Weiner. Rolf Preisig, Basel, 28. November – 23. Dezember 1975
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(Lawrence Weiner). Five works of Lawrence Weiner / 5 opera di Lawrence Weiner. Modern Art Agency, Napoli, 19.1.1973
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(Lawrence Weiner). Holograph message to Jean-Noël Herlin on postcard with Yvonne Parent’s 1993 multiple o.T. on image side.
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(Lawrence Weiner). Lawrence Weiner. Stuart Regen Gallery, Los Angeles, California, 7 December 1991 – 11 January 1992
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(Lawrence Weiner). Lawrence Weiner. Texts by Benjamin Buchloh, Alexander Alberro, Alice Zimmerman & David Batchelor. Barocco, New York, October 27, [1997]
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(Lawrence Weiner). Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects. Ouevres de la collection d’Annick et Anton Herbert Casino Luxembourg – Forum d’Art contemporain, Luxembourg, 28, 29 octobre 2000 – 11 février 2001
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